index of works
 >>portraits   >>curatorial


  
On Caribbean Afro-diasporic sonic and bodily knowledges
︎Body of work: Daughters of the Muntu
︎Between an Ocean, a Desert and a Cloud

On monuments and archives in the making
︎Movements.Manifesting.Monuments
︎Bocas de Ceniza/ Ash Mouths

On challenging colonial History-storytelling 
︎Manufacture of Distorted Images
︎Espejos Mutantes / Mutant Mirrors

On another-history-storytelling
︎Aus Hand und Stein / From Hands and Stones

On experiences of the Urban
︎sieben utopische dinge – Anthrazit
︎Concrete Discontinuities
︎Supporting Surfaces

On Colonialities
︎Primero Estaba el Mar / In the Beginning was the Sea
︎Uncomfortable Mindscapes
︎Concrete Discontinuities
︎Supporting Surfaces

On Nation-state imaginaries and politics
 ︎Tierra Común - Fosa Común
︎Show me your Europe
︎Echando Pa’lante

On bodily-thinking and generational healing
︎De las Raíces / From the Roots
︎Self-portraits / Self-fictions

On magic-realistic storytelling in photography
︎hierzulande / In this Land
︎Aus Hand und Stein / From Hands and Stones




Year
Work   
Medium   
Key topics
20
24
A Labor Theory of Artistic Value 
a collaboration with artist and filmmaker
Mary Jirmanus Saba
a performance that combines video projection, a delivered text, and a performative act of cultural maintenance (soon online)
gendered reproductive labour, the reproductive labour of motherhood, artworld, critique

20
22
Between an ocean, a desert and a cloud
– a collaboration with artist Thomias Radin
and videographer David Lombana
>> currently in post-production
performance based photography,
video, sculpture
Caribbean collaboration: Guadeloupe and Barranquilla, bodily thinking, Caribbean thinking/sensing/being, dance, borderlands, coloniality, monuments


20
19
Ongoing


Movements.Manifesting.Monuments
Long-term interdisciplinary visual
and performance project + online platform

www.movementsmanifestingmonuments.com
(coming soon!)
performance, staged photography,
video, sound, online platform 
who writes her/his/diverse-stories?, herstory-storytelling in public space, corpo-monuments, colonial narratives, anti-colonial responses, intersectional feminism, occupying and transgressing the traditional concept of monuments


20
09 Ongoing
Body of work:
Daughters of the Muntu: On ancestral bodily and sonic knowledges of afro-diasporic women in the Colombian-Caribbean.


sound piece   
afro-diasporic epistemologies, caribbean, music, bullerengue, rueda de bullerengue (bullerengue circle) dancing stories, baile cantao (sung dance)
(2021 - Ongoing) Cantaoras
portrait series, interviews
afro-diasporic epistemologies, storytelling, cantaoras (singers), bullerengue, caribbean, sonic and bodily knowledges


(2021 - Ongoing) Home as a photo album
– working title
documentary photography
family photo album, non-linear his/her-story-storytelling, archives, archives of affection


portraits, documentary
photography
afro-diasporic epistemologies, afro-caribbean literature, womxn, Manuel Zapata Olivella, embodied landscapes


documentary photography
ancestral sonic and bodily knowledges, family tradition, bullerengue, Colombian-Caribbean


20
21   
photography, poetry book
literature, city, Berlin, experiences of the urban, publication



20
21
photography, video,
performance relic
who writes her/his/another story?, challenging colonial archives, colonial legacy, disrupting narratives


20
21
Espejos Mutantes
/ Mutant Mirrors
>> currently in post-production. 
Staged photography, performance,
sculpture
land, who writes her/his/another story?, maps, cartography, colonial legacy, disrupting narratives


20
20
photography, object
archives in the making, mnemonic artifacts, politic of forgetting, Abya Yala, archives of affection


20
20
photo-performance
bodily thinking, generational healing, self-portraits



20
20
still-life photography
archives in the making, land, environment, coloniality 



20
20
portrait, staged photography
extraordinary in the ordinary, covid pandemic, cuarantine, Colombia


20
20   
portrait series 
covid pandemic, cuarantine, Colombia, modernity/coloniality in the urban


20
19
still-life, documentary
photography, photographic
dialog
modernity/coloniality in the urban, materials as storytellers, readings of the urban



20
19
still-life, documentary
photography
modernity/coloniality in the urban, materials as storytellers, readings of the urban


20
18
still-life, documentary
photography 
land, caribbean, coloniality, disrupting narratives, new imageries, confronting colonial legacies



20
17  
portrait, still-life photography
land, politics of the imagination, imagineries and sense of a space



20
16
sculpture-based photography
land, necropolitics, Colombia, archives in the making, politics of forgetting


20
15 –
20
16
sculpture-based and staged photography, 
collage
who writes her/his/another story?, history-storytelling, magic realism, post-war, re-imaginning archives, re-imaging history, agency to narrate 



20
14
staged photography, book dummy
magic realism, storytelling, 


20
10
Ongoing
photography
generational healing, bodily thinking, archives in the making